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The distinction between the decorative and the fine arts arose from the post-Renaissance art of the West, but is much less meaningful when considering the art of other cultures and periods, where the most highly regarded works—or even all works—include those in decorative media.
Originally a literary term, it was first used in relation to the visual arts in the Renaissance in the writings of Leonardo da Vinci (1452–1519).
According to da Vinci's theory of Decorum, the gestures which a figure makes must not only demonstrate feelings, but must be appropriate to age, rank, and position.
), which is the equivalent of today's term "underpainting," is a more or less monochrome version of the final painting which gives volume, suggests substance, substantiates the principal compositional elements and distributes darks and lights with a fair degree of accuracy.
The lack of color used in the term probably explains the word "dead." In the seventeenth century, dead-coloring appears in various forms.